The Tudor Consort

Musical Director Michael Stewart

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February 13
Gradualia – Byrd Motets

April 2
Lamentatio Jeremiae Prophetae — Music for Holy Week

June 12
Gombert and Mouton – Franco-Flemish music from the sixteenth century

September 4
Schütz – Musikalisches Exequien
D. Scarlatti – Stabat Mater

December 18
Bach – Christmas Oratorio

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Live Performance

Lamentatio Jeremiae Prophetae – Music for Holy Week

This year, The Tudor Consort presents Renaissance settings of The Lamentations of Jeremiah, including Tallis’s famous work, juxtaposed with a rarely performed setting of 20th Century composer Ernst Krenek. Written in 1941 while in exile in the United States, Krenek combined the strict polyphony of the Renaissance style with 20th Century dodecaphony to produce a compelling protest against the horrors of war.


Good Friday 2 April, 8pm
Sacred Heart Cathedral
Hill Street
Wellington

$28/$18 door sales and online booking




Live Recordings, Essays and Reviews

“The highlight [of 2008] was the Tudor Consort Messiah, the most invigorated and invigorating performance of this masterwork for many years.” — Capital Times, Dec 31 2008

Review of Handel’s Messiah, 4 December 2008

Essay from Handel’s Messiah, 4 December 2008 (PDF, 120 kb)

Gloria Patri: Magnificat BWV 243 J S Bach (MP3 sound, 2866 Kb)
Recorded live on 30 July 2006 | More MP3s

New Releases

Live in Concert

Live in Concert

Spain — Italy — New Zealand

This album is a collection of live recordings made from performances in Parroquial Church in Ordizia, Spain, and in the beautiful baroque church of Madonna dei Monti in Rome after The Tudor Consort’s tour to Spain and Italy in 2005.

This recording includes a New Zealand recording of Alfonso Ferrabosco’s Lamentatione Jeremiae Prophetae for male voices.

This recording was prepared for The Tudor Consort’s 20th anniversary.

Recording details and online purchasing

Cantiones Sacrae Quinis Vocibus, Peter Philips

Cantiones Sacrae Quinis Vocibus

Peter Philips 1561-1628

“… This is a wonderful choir … conductor Peter Walls understands … the overall period style … and he obviously cares a lot about ensemble balance and uniformity of tone and color” — Classicstoday.com

Recording details and online purchasing