For 20 years The Tudor Consort has been
at the forefront of early choral performance
in New Zealand.
The Tudor Consort sets the standard for early choral
music: an innovative approach to repertoire selection and interpretation, accuracy of
presentation through historical reconstruction, and an emphasis on choral excellence
through superb balance, blend and vocal technique.
Formed in February 1986 with the intention of performing
lesser known music from the Medieval, Renaissance and Baroque periods, with particular
emphasis on English music of the 16th and early 17th centuries, the group’s directors have
included founder Simon Ravens and leading New
Zealand musicians Professor Peter Walls, Ivan Patterson and Alastair Carey; the group’s current director is
Michael Stewart.
Complete
group biography (Adobe Acrobat PDF, 76 Kb)
Venue hireage basic information/overview
sheet (Adobe Acrobat PDF, 54 Kb)
Plaudits for The Tudor Consort:
-
“
The singing of this exquisite chamber choir … shifted one’s aural world at once … The Tudor Consort continues to
attract singers of intelligence, stylistic discrimination and vocal skill” — The Dominion Post on Convertere ad Dominum — Victoria’s Lamentations, Good Friday 6 April 2007
- “Glorious … a beautifully unified group … tonally even … superbly
sonorous … I must say, I was deeply impressed” — The Dominion Post on Vaughan-Williams
Three Shakespeare Songs
- “[Tallis] came alive in the hands of this splendid choir … the concert
demonstrated the choir’s strength, balance and finesse and confirmed the greatness of
Tallis” — The Dominion Post on Tallis The Dorian
Service
- “Overwhelming in its impact … the glorious singing of The Tudor Consort,
surely one of New Zealand’s musical wonders, crowned this recreation of a Renaissance
masterpiece” — The Dominion on The Tudor Consort’s first
presentation of Palestrina Missa Papae Marcelli in 1987
- “… Wellington, in the last decade, has become the city of choirs. Amongst the
handful at the top, The Tudor Consort … now holds place of honour … the whole
performance was of immaculate conception” — Music in New Zealand on Victoria Requiem
- “… authoritative … timeless … exceptional choral singing” — The
Evening Post on Bach
Motets and Purcell Funeral Sentences
- “I can think of no higher compliment to pay than to say that the concentrated,
distilled impact of this madrigal cycle … would have stunned audiences anywhere in the
world” — The Dominion on Lassus Le
Lagrime di San Pietro

The Tudor Consort under Michael Stewart, February 2007
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