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Le Lagrime di San Pietro: Orlandi de Lassus 1532-1594
The Tears of St Peter
Lassus passed his last years in a state of religious melancholy, and the 21 motets of the Le
Lagrime sequence are a direct reflection of his state of mind at the time. The seven
voice sequence deals with the inner conflict of Peter on his realisation that he has
betrayed Christ.
"In a way, the mind and condition of Man is summed up in St Peter the Apostle: 'Thou art Peter and upon this rock I will build my Church' is balanced with 'Thou shalt deny me thrice'. Certainty is mirrored by guilt. The Catholic tradition is shot through with this dichotomy. Tu es Petrus by Palestrina is one face of the coin; its reverse is the Lagrime of Lassus." -- Bruno Turner
Lassus wrote in his old age that he regarded the prolific virtuosity of his youthful music as the tendrils and fruit of a young vine, and he wondered whether it could not be considered that in the end the gnarled and split old vine, though producing less, might not bring forth a liquor more sweet to mankind. He hoped, before withdrawing from the world, that his last music might be like the light of day, which is most beautiful just before sunset.
This performance was repeated as part of the Easter in Rome series
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Programme
Le Lagrime di San Pietro: Orlandi di Lassus 1532-1594
i. Il magnanimo Pietro
ii. Ma gli archi
iii. Tre volte haveva
iv. Qual a l'incontro
v. Giovane donna
vi. Cosi talhor
vii. Ogni occhio del signor
viii. Nessun fedel trovai
ix. Chi ad una ad una
x. Come falda di neve
xi. E non fu il pianto suo
xii. Quel volto
xiii. Veduto il miser
xiv. E vago d'incontrar
xv. Vattene vita va
xvi. O vita troppo rea
xvii. A quanti gia felici
xviii. Non trovava mia fe
xix. Queste opre e piu
xx. Negando il mio signor
xxi. Vide homo
8.30pm*, Sunday 10 March 1991
Christ Church Cathedral
Nelson
$15 / $10
* pre-concert talk at 8pm
dir. Simon Ravens