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Mass for Five Voices: William Byrd 1540?-1623
with the plainsong and polyphonic propers for a Feast of the Blessed Virgin Mary
England of the 16th century was not a safe place for Catholics. Byrd himself was
publically accused of being a practising Catholic on a number of occasions, when to be so
was a treasonable offence punishable by death. Fortunately, connections with those in high
places ensured that he and his family escaped relatively lightly. Even so, Byrd's music
for the Catholic Service would have been performed in the utmost secrecy, in a private
house by only a handful of singers. Typically, these works are emotionally charged and
deeply personal, often focusing on the individual's suffering.
This performance was also performed on 21 February 1992 in Palmerston North and on 22 February 1992 in Wanganui.
This performance was part of the 1992 New Zealand International Festival of the Arts
Download The
Evening Post's review of this performance (JPEG image, 108 Kb)
Download poster for
this performance (JPEG image, 172 Kb)
Download texts and translations and programme order
for this performance (Microsoft Word document, 33 Kb)
Download pre-concert talk for this performance (Microsoft
Word document, 35 Kb)
Programme
Introitus: Salve sancte parens: William
Byrd 1540?-1623
Kyrie: Mass for Five Voices: William Byrd
Gloria: Mass for Five Voices: William Byrd
Collect: chant
Epistle: chant
Gradual: Benedicta et venerabilis: William Byrd
Tract: Gaude Maria Virgo: William Byrd
Gospel: chant
Credo: Mass for Five Voices: William Byrd
Offertorio: Felix Namque: William Byrd
Sursum corda: plainsong
Sanctus / Osanna I / Benedictus / Osanna II: William Byrd
Pater Noster: chant
Agnus Dei: Mass for Five Voices: William Byrd
Communio: Beata Viscera: William Byrd
Communio: Ave Verum Corpus: William Byrd
Post-communio: chant
Ite, missa est: plainsong
8pm*, Monday 2 March 1992
Sacred Heart Cathedral
Hill Street, Wellington
$20 / $15
* pre-concert talk at 7.30pm
dir. Simon Ravens