Carols and Lullabies

In the Middle Ages the term "carol singing" had a much wider usage than it does in the 21st century, applying as it did to virtually any song in which verses alternate with a "burden" (refrain).

There is more to the lullaby than meets the eye. Not only does the form have a long history, but examples of lullabies can be found in many different cultures. The character of a lullaby can also be more varied than might first be thought.

This short (50 minute) recital was the final performance in the 1989 "Arts in the House" Parliamentary concert series. This series of concerts and short films by New Zealanders was presented by the Minister of Arts and Culture, then Hon. Dr. Michael Bassett, to demonstrate to both parliamentary colleagues and to potential corporate sponsors the high international standard achieved by performing artists in this country.

An expanded progamme including this repertoire was performed on 5 December 1989.

Download original "Arts in the House" typed programme for this performance (JPG image, 362 Kb)
Download programme notes for the 5 December 1989 performance (Microsoft Word document, 31 Kb)

Programme

In ducli jubilo: Bartholomew Gesius 1555-1613
Quem Pastores: Johann Schein 1586-1630
Conditor alme: Orlando de Lassus 1530?-1594

Lullaby, my sweet little baby: William Byrd 1540?-1623
Lullay, I saw: Anon (15th century)
Nowell, nowell: The boares head: Anon (15th century)

Five Lullabies: Jack Body 1944-

Coventry Carol: Anon (16h century)
God rest you, merry gentlemen: Anon (18th century)

5.40pm, Tuesday 28 November 1989
Legislative Council Chamber - Parliament Buildings, Wellington

dir. Simon Ravens

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